Raving reviews for Caroline Wettergreen as La Fée in Massenet’s CENDRILLON with Glyndebourne on Tour

Outshining both of them, and the rest of the cast is Soprano Caroline Wettergreen as the Fairy, who dominates the stage whenever she appears.
The Reviews Hub

Coloratura soprano Caroline Wettergren as a suitably strange, coolly smoking Fairy Godmother (pictured above) strings together pearls on a line of absolute perfection.
Theartsdesk

Enlightenment took spectral form as Caroline Wettergreen illuminated the stage with a dazzling display of singing. In Massenet’s stratospheric notation her Fairy character is less a Godmother than a Queen of the Night, and the young Norwegian pinged a magical coloratura with preternatural accuracy. Indeed, the fast-rising (in every sense of the term) soprano outshone all her colleagues on opening night
Bachtrack

Though the best performances come from Zwierko and Wettergreen. Wettergreen floats the Fairy’s coloratura with exquisite ease.
The Guardian

Caroline Wettergreen is near perfection as the Fairy, casting a spell over the audience with her top notes light as thistledown.
Financial Times

Both are outsung by the glittering Norwegian soprano Caroline Wettergreen as the fairy, oddly portrayed as a louche chain-smoker.
Sunday Times

The Fairy is brilliantly sung by Caroline Wettergreen, an excellent coloratura soprano of whom much more will be heard.
Daily Mail

Caroline Wettergreen’s vocally sparkling Fairy, nonchalantly drawing on a cigarette as she expounded the terms of the spell to Lucette, provided an elegant antidote.
OperaToday

Caroline Wettergreen fearlessly flying her coloratura hurdles as the Fairy Godmother
Daily Mail Online

Only in scenes featuring the Fairy Godmother – sung with effortless purity by soprano Caroline Wettergreen, and the ecstatic love duets between the neglected Cendrillon (Alix le Saux) and her depressed Prince, the ardent mezzo-soprano Eleonore Pancrazi, does magic emerge from the muddle.
The Stage

Caroline Wettergreen is the Fairy Godmother and brings authority and kindness to her role with a voice that never ceases to enchant.
Brighton & Hove Independent

As the Fairy – that is, Cendrillon’s Fairy Godmother – Caroline Wettergreen delivers the show-off coloratura with pinpoint panache, and I very much take to her mix of exasperation with and love for Cendrillon.
Classical Source

Caroline Wettergreen is spot on as the sparkling Fairy Godmother
The Telegraph

Caroline Wettergreen’s Fairy is mostly undaunted by the coloratura demands of her role; this young Norwegian soprano is another welcome first timer in this house.
Music OMH

Caroline Wettergreen’s stupendous (good) Fairy is tender, wise, supportive and loving. With the Norwegian and Danish-trained Wettergreen (who again took the same role for the Komische) rooting for her (Cincerella) – and if Massenet uses coloratura sparingly, it was simply stunning when she embarked on it, rather stylish and not overbearing – Cinders was always going to win.
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